![]() StepMania is designed to run on arcade cabinets and it is within your rights to use it for a commercial game, but we do not endorse machines with unlicensed content being used for profit. OMG! I saw StepMania in an arcade! Is that legal!? We don't make any money from the site itself or the game, so they really mean a lot. Donations are mostly used for developer hardware expenses and sometimes helping pay the bills. We don't currently host any, but you can find a bunch in the forums! Do I get anything for donating? We're interested in doing it once we've got a new stable release of the game and the new site is capable of hosting the files. Otherwise, let us know in #stepmania-devs on and we can restore your account. Accidents happen, if it was your only post then you should make a new account (you can use the same name). If you didn't do anything ban-worthy one of the admins may have hit the wrong button when cleaning up spam. Help! I've been banned, but I didn't do anything! Those were handled by Chris, who really doesn't have time for the project anymore. If you really want DDR, go play DDR! What happened to the StepMania CDs you used to sell? No, not at all - we're completely independent. Hugo is also apparently a faster producer than Porter, proficient with FL and its keyboard shortcuts.Are you guys affiliated with Konami or Andamiro in any way? They were in person for all of it besides a couple things sent online. Porter says the whole song was a straight 50/50, as much as it could be. Hugo was the primary force behind the lyrics, though the vocal melodies were an even split. It was Hugo’s suggestion to use four-on-the-floor drum kit, but they ended up using a lot of Porter’s drum samples. Porter apparently contributed to chord progression.One viewer asked what his specific contributions were to “Shelter.” Is Porter singing in the background of “Shelter”? Secret! “He’s a genius and a really great person.” Musically, they approach things very differently working in the studio was a fascinating experience as far as solving problems. He really enjoys listening to what he’s got so far, but it could be a ways off. He says he’s working on a lot of new music right now and he pretty much has the vision for the album nailed.The most Worlds-y place he’s visited? The Salt Flats in Salt Lake City.We recorded another song around the same time as Worlds, and that’s something that I could see us putting out at some point.” “The hook isn’t Hugo, the lyrics are, but the vocal chop is Amy Milan who sang on Divinity.Many people asked how Hugo could sing so high in “Shelter.” Well….The original “Shelter” was 90 bpm (as opposed to 100 bpm now) and one semi-tone higher than the final product.I didn’t play it live, I don’t know what that is at all.” As for the rumored Porter Robinson Zhu remix… “I didn’t make a Zhu remix, I didn’t play a Zhu remix, I have nothing to do with any of that.They’ve “really wanted to go on tour together” for a while now. They’ve been sending music back and forth for a long time, and Porter says their styles “coalesced” on respective albums. ![]() They met through a shared interest in music production Hugo was 12, Porter was around 14 or 15.
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